Sunday 12 August 2007

Now for the salesman in me.

‘Psychology for Screenwriters - by William Indick.’

I think this book should be on every serious screenwriters bookshelf. It’s the first of its kind and is worth it. I'm only on the third chapter. So it must be good eh?

This book made me realise i didn’t know much about my characters and what really drives them. It opens up a whole new world of thought not to mention literally the minds of my characters.

At the heart of any story is the characters and to know their psychology and what drives them in its basic terms is an invaluable tool. Its the most vital elements of a script. Structure, story, dialogue can be re-worked later, characters can‘t without heavily compromising the journey and whole reason of your script.

As an example;
The Neurotic complex; the id, ego and the superego; all exist within ourselves and are in constant conflict - but due to the difficulty of conveying a character’s inner conflict the three types are displayed visually - in different characters; the id and natural impulse is represented by the villain. The ego, the protagonist and the superego, his father. So the inner battle of our hero becomes a visual one.

This isn’t just a book on psychology. Its tied into films and scriptwriting and gives you ways in which to further build on conflict in your script. It’s a pretty incredible book and revelation for the budding screenwriter.

'You will buy this book.' - as his hand slightly motions past your face.

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